![]() West’s lyrics are as intricate and affecting as they have been in ages. Rap-rock hybrids like this are often execrable: it’s impossible to envision Kanye making it without Cudi in the booth to summon the spirit of flower power.īut what’s perhaps most striking about Kids See Ghosts is how much both artists’ writing shines. 2), the album’s undoubted centrepiece, is an acid-laced trip into bohemian spiritualism. Reborn could pass for an early Cudi cut as he blesses himself over dinky piano keys. It is Kanye who is frequently pulled into Cudi’s lane and not vice versa. In fact, Kids See Ghosts could be viewed primarily as an exercise in highlighting all of Cudi’s strengths while erasing the more outlandish proclivities. It would be horribly inaccurate to cast Cudi as simply a facilitator for West’s rediscovered form. ![]() Hearing the producer artfully fold the orchestration into the voices of his collaborators shows that his almighty ear for music is back.Īrtwork for Kanye West and Kid Cudi’s album Kids See Ghosts. On the title track, West swathes Yasiin Bey’s voice in gentle electronics, while Cudi’s spiritual hums match the rumbling beat. Opener, Feel The Love, is a glorious riposte to the “love is all you need” hippie ideology West was pushing on Twitter just a couple weeks ago, unleashing sinister keys, a typically barbed verse from Pusha and a manic impression of a gun from Kanye that rivals Big Shaq’s ridiculous rasps. Ye felt sonically depressed, like every beat had been done before but better. The chemistry is that of two old friends who no longer have to second-guess each other’s instincts. The brevity is effective as Kanye and Cudi stack ideas on top of ideas, packing the 23 minutes with as much creativity as possible. Kanye is due to produce two more records, presumably in this format, with Nas and Teyana Taylor. Like Ye and West’s recently helmed Pusha T record Daytona, the album is just seven tracks long. With him as co-pilot, Kids See Ghosts is a shotgun blast to the senses, swarming with blistering electronics, laser-cut samples, psychedelic crescendos and edges as blurry as a half-remembered dream. The controversies that eternally follow West had always dissolved when it came to music-making – the component of his legacy that will endure long after the reality TV shows are pulled from the air and the pageantry around him turns to dust – but Ye suggested that even the music had lost its godlike vision and reach.Įnter Kid Cudi, whose colouring of West’s sound stretches all the way back to the anguished, melodic synthpop of 2008 record 808s & Heartbreak. Now here comes West, whose rollout of Ye was punctured by his courting of America’s grim forces and offensive commentary on the history of slavery. Kali trampled Shiva while wearing a skirt of human arms and severed heads. Zeus chained Prometheus to a rock to have his liver pecked out. Kids See Ghosts, West’s joint project with Kid Cudi, has arrived just one week on from his polarising, half-baked eighth solo album Ye – the worst record in his previously unimpeachable catalogue. ![]() But seven days after unveiling his own imperfect creation, self-proclaimed god Kanye West has had no time for slumber. Christian scripture teaches that on the seventh day, God looked over the world, nodded to himself in satisfaction and settled down for a hard-earned rest.
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